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Lakeside Ballroom

Guttenberg, Iowa

 

Cincinnati & 4th St.
Guttenberg, IA 52052

Phone: 563-252-1355

Contact: Lisa Bolsinger

 

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The Ballroom

The ballroom has a capacity of 945 people.  It has held over 1,500 for dances numerous times with some bands drawing over 2,000 enthusiasts.  It can comfortably seat 450 people for dances and 800 for banquets.  The ballroom is used frequently for anniversaries, sales, auctions, banquets, and wedding receptions.  It is also used for major dart and ping pong tournaments.  The floor is still in its original 1 & 1/4" white hard maple.  The floor has withstood 3 major floods - the last one in 1965 where there was 5' of water covering the floor.

The Game Room

The game room is 20' X 80'.  It has 5 pool tables and a video arcade room with video games an fooseball table.  It is used for birthday parties and youth events.  I has its own bar and TV to serve the patrons without having to leave the gameroom.

The Bar

The bar was added to the original building in 1935.  It is one of the longest bars around having a length of 75'.  The original bar and floors are still intact and can easily handle large groups of people.

 

Tours are available for groups visiting historic Guttenberg.  This is one of the few originally designed ballrooms left in the Midwest.  It was just recently voted into the Iowa Rock 'n' Roll Hall of Fame with induction on September 2, 2001.  The building is currently going thru the process for being listed on the National Park Service List of Historical Places.  It has been preliminarly approved.


Entertainers that have played at Lakeside Ballroom.


Lakeside
(The early years.)

Written by Barbara Kann, as told by Carl Kann (Barbara’s father) and May Kann (Barbara’s aunt).

Lakeside was built by William (Hubert) Kann in 1927 on a vacant lot on the north end of Guttenberg for an original cost of $27,000. It was to be a place for his children and the local citizens to congregate, play music and have fun.

Bill and his wife, Josephine, were exceedingly interested in music. Their living room was actually a music room with large oak cases containing just about every musical instrument available at the time. There were violins, clarinet, saxophone, flute, mandolin, guitars, and a large piano that dominated the room. While today’s living room might boast a chair and sofa, theirs had chairs with music racks. If business was slow in his General Merchandise store, after dinner Bill would relax in the living room, pick up his violin, while his wife accompanied him on the bass and the children could select whatever they wanted to play along. Many, many evenings were spent entertaining each other with music. Bill hired a music teacher from Dubuque to come once a week and give classes to the children. Miss Schaetsley arrived on the local train from Dubuque on Friday night, had dinner with the family, taught the children all day on Saturday and returned to Dubuque in the evening. Daughter, May, remembers her first piano recital at three years old. Her feet didn’t touch the pedals but she performed for an array of guests.

As the children entered their teen years, Bill had a family of very talented musicians and was concerned with his children’s activities as any parent today. He combined his concern with his business knowledge and decided a ballroom would be a good venture. He turned to his friend, Louis Bahls, to discuss the mechanics of a good dance floor. Though uneducated as a tradesman, Louis was a genius with the blending of woods, how to make them fit and grow together. Many long evenings were spent in the discussion of a good floor, while the two gentlemen leaned back in their arm chairs, and braced their feet against the pot belly stove in the back of Bill’s store. A dance floor should be something so comfortable that people wouldn’t get tired. It should give spring to their movements.

To enhance the sound effect of their building they imagined a ceiling with hundreds of little lights flickering on a blue background. Lattice work over this would soften those tones. Bill hired Louis Schroeder, a local carpenter, to do the actual building.

Son, Carl, just returned from his trip with the Dollar Steamship Lines as a musician to help the family open the new Lakeside facility. Major bands were hired through an agent in Chicago, but Bill’s children had formed their own band and played during the intermissions. Daughter, May, was a genius at the piano and had won an audition to the Julliard School of Music in Chicago. Carl played an array of reed instruments, including a baritone sax. Leo played bass. Bill’s children were so talented they could play any kind of music from classical through waltzes to the fox-trot. They all played by ‘ear’. They heard the music, could join in or repeat the melody. They did not need the written notes, and were able to play over 2200 different tunes. The band had no drummer, so they invited James (Ed) Schweikert from Osterdock to join the band.

The local paper, Guttenberg Press, carried weekly updates of the building of Lakeside. Headlines announced the purchaser of the first ticket, John C. Kuempel, who also turned out to be the oldest person attending the dance.

There was no lock and dam in Guttenberg at the time, so the ballroom market area included Glen Haven and Cassville, Wisconsin. Bill purchased a river launch to motor to the towns in Wisconsin, pick up guests and deliver them to the Guttenberg side of river behind his warehouse. There they were met with a Studebaker limousine to carry them to Lakeside on the north side. All this travel was free or included in the price of the night’s ticket.

Lakeside was a family affair. It wasn’t long before the evening of music was preceded by afternoon ball games arranged by son, Bill. Guests could picnic in the yard, participate in an afternoon game and enjoy an evening of music and dance. The extravagant floor that the two gentlemen had spent so many nights discussing was a tremendous success. People loved to dance on it and never seemed to get tired.

 

Lakeside Ballroom

1928

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Son, Edmund (Sonny), was in charge of food, beverage and maintenance at the facility. Bill purchased a surplus plane for him from the Navy, Hispana Suresa, to keep a steady supply. Sonny flew the plane and landed in the field just north of Lakeside. The painted the name Lakeside in large letters on the roof of the building to use for aerial dead-recognition navigation, the only method of navigation at the time. Lindberg and other pioneer aviators used Lakeside as a checkpoint flying from Minneapolis to Chicago and St. Louis. The name Lakeside remained on the rooftop as an aerial checkpoint until it was removed years later with a new roof.

One episode stood out in daughter May’s memory. She was recalling the visit to Lakeside by a beauty queen, Peaches Browning. Peaches came from the east and stayed overnight with the family. May couldn’t remember what the young lady was queen of, but she well remembered the look of pride on her father’s face as the 60 year old gentleman, with Peaches on his arm, walked from the bar room across the dance floor with dancers parting to make the way. On stage he introduced the beauty queen to the delight of his beaming wife and envious buddies, who proceeded to jovially poke each other in the ribs/ The hall lights dimmed and hundreds of lights in the sky blue ceiling flickered in assorted colors to enhance the first waltz of the evening. Bill stepped onto his expensive dance floor with Peaches. It was an evening remembered 75 years later.

 

Entertainers that have played Lakeside Ballroom.

Late 20's thru the 30's
Little Benny & his Ten Tiny Tots, Coon Sanders Original Nighthawks, Ted Weems Orchestra, Zez Confrey Orchestra, and the 10 member "colored" orchestra, Jesse Stone and his Blue Serenaders, who played their hists "Baby Girl" and "Waiting For The Moon".

The 40's and 50's
Jan Garber Orchestra, Art Kassel Orchestra, Rex Morgan Orchestra, Leo Greco and his Pioneers, Tom Owens Cowboys, Johnny Kettleson, Johnny Cash, Brenda Lee, Andy Doll, Tommy Overstreet, Guy Lombardo, and Lawrence Welk

The 60's and 70's
Everly Brothers, Herman's Hermits, The Echoes, Hank Thompson, Mickey Gilley, The Grassroots, Vixen, Bullet, Tommy James and the Shondells, Head East, and Tommy Overstreet.

Throughout the timespan of Lakeside Ballroom, local bands made it big here.  Some of those include: Gary Willie and his Countrymen, Frank Barry and his Music Masters, Southern Comfort, Sounds of Nashville, Dealer's Choice, and Tussle.